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This series of ceramic sculptures examines the concept of unravelling as both a sculptural gesture and an emotional state. Through these forms, I delve into how belonging is negotiated and how material fragility can hold profound resilience. My work engages the meeting points of nature and culture, where the act of becoming is always accompanied by the balance of undoing.

I use paper clay to build forms that are deliberately loose and precarious – objects that seem to unravel as much as hold a moment of memory. Their instability reflects the uncertainty of starting over, while their delicate strips conceal a quiet persistence. Rather than fixed vessels, my sculptures are temporary resting points where balance is tested, belonging unsettled, and the invisible weight of experience allowed to take form. In their presence, sorrow and wonder coexist, each holding space for the other. My work does not seek to resolve these contradictions, but to reveal their entanglement – the beauty and difficulty of living between that has been left behind and what has yet to come.